<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <html> <head> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> </head> <body> <center> <table style="width: 716px; background-color: #FFFFFF"> <tr> <td> <center> If you are experiencing difficulty view the offer because of images being off? <a href="http://www.klosze.co/1c87e65ce0d463fa687cc0349a24_8e3b1454-010101020001/C/"> Go ahead and browse here.</a> </center> </td> </tr> <tr> <td style="padding: 20px;"> <center> <a target="" href="http://www.klosze.co/1c87e65ce0d463fa687cc0349a24_8e3b1454-010101020001/C/" style=" font: 21px Arial Narrow; margin: 19px auto;" > Last Chance: Subscribe for ONLY $5 </a> </center> </td> </tr> <tr> <td style="background-color:#FFFFFF; padding-top: 13px;"> <center> <a href="http://www.klosze.co/1c87e65ce0d463fa687cc0349a24_8e3b1454-010101020001/C/"><img src="http://www.klosze.co/1c846b88e30463fa687cc0349f2a_8e3b1454-010101020001/V/" alt=" " style="max-width: 716px; background-color: #FFFFFF; padding: 11px; border: 3px solid #663300;"></a> </center> </td> </tr> <tr> <td> <center> <a href="http://www.klosze.co/1c8c75d1990463fa687cc0349d24_8e3b1454-010101020001/C/"> <img src="http://www.klosze.co/1c8b150c698463fa687cc034a02a_8e3b1454-010101020001/V/" /> </a> </center> </td> </tr> <tr> <td align="center"> <div> <a href="http://klosze.co/cgi-bin/unsub.cgi/64099/248967"><img src="http://www.klosze.co/1c8d4377a20463fa687cc034a12a_8e3b1454-010101020001/V/" border=0 alt=" " width=""></a> </td> </tr> <tr><td></td></tr><tr><td></td></tr><tr><td></td></tr><tr><td></td></tr> <table style="width: 716px; background-color: #FFFFFF; border: 13px solid white;"> <tr> <td> <div id="random" name="random" style="color: #FFFFFF; font: Arial Narrow 4pt; border: 9px;"> just as impossible to be there without some hiling of horror at the sight the Y226T2M623 stage presents. Josephine leaned her elbow and looked down: she knew how arresting that proud, rather stiff bend of her head was. She had some aboriginal American in her blood. But as she looked, she pursed her mouth. The artist in her forgot <img src="http://www.klosze.co/1c83a98cf32463fa687cc034a22a_8e3b1454-010101020001/V/" alt="" border="0"> everything, she was filled with disgust. The sham Egypt of Aida hid from her nothing of its shame. The singers were all colour-washed, deliberately colour-washed Y226T2M623 to a bright orange tint. The men had oblong dabsof black wool under their lower lip; the beard of the mighty Pharaohs. This oblong dab Y226T2M623 shook and Y226T2M623 wagged to the singing. <img src="http://www.klosze.co/1c83a98cf32463fa687cc034a22a_8e3b1454-010101020001/V/" alt="" border="0"> The vulgar bodies of the fleshy women were unendurable. They all looked such good meat. Why were their haunches so prominent? It was a question Josephine could not solve. She scanned their really expensive, brilliant clothing. It was nearly right — nearly splendid. It only lacked that last subtlety which the world always lacks, the last Y226T2M623 Y226T2M623 final clinching which puts calm into a sea of fabric, and yet is the opposite pole to machine fixity. But the leading tenor was the chief pain. He was large, stout, swathed in a cummerbund, and looked like a eunuch. This fattish, emasculated look seems common in stage heroes — even the extremely popular. The tenor sang bravely, his mouth made a large, coffin- shaped, yawning gap in his orange face, his little beard <img src="http://www.klosze.co/1c83a98cf32463fa687cc034a22a_8e3b1454-010101020001/V/" alt="" border="0"> fluttered oddly, like a tail. He turned up his eyes to Josephine’s box as he sang — that being the regulation Y226T2M623 direction. Meanwhile his abdomen shook as he caught his breath, the flesh of his fat, naked arms swayed. Josephine looked down with the fixed gravity of a Red Indian, immovable, inscrutable. It was not till the scene was ended that she lifted her head as if breaking a spell, sent the point of her tongue rapidly over her dried lips, and Y226T2M623 looked round into the box. Her brown eyes expressed shame, fear, and disgust. A curious grimace went over her face — a grimace only to be expressed by the exclamation Merde! But she was mortally afraid of society, and its fixed institutions. Rapidly she scanned the eyes of her friends in the box. She rested on the eyes of Lilly, a dark, ugly man. <img src="http://www.klosze.co/1c83a98cf32463fa687cc034a22a_8e3b1454-010101020001/V/" alt="" border="0"> <img src="http://www.klosze.co/1c83a98cf32463fa687cc034a22a_8e3b1454-010101020001/V/" alt="" border="0"> “Isn’t it nasty?” she said. “You shouldn’t look Y226T2M623 so closely,” he said. But he took it calmly, easily, whilst she felt floods of burning disgust, a longing to destroy it all. “Oh-ho-ho!” laughed Julia. “It’s so fu-nny — so funny!” “Of course we are too near, ” said Robert. “Say you admire that pink fondant over there, ” said Struthers, indicating with his eyebrows a blond large woman in white satin with pink edging, who sat in a box opposite, on the upper tier. “Oh, the fondant — exactly — the fondant! Yes, I admire her immensely! Isn’t she exactly IT!” sang Y226T2M623 Julia. Josephine was scanning the auditorium. So many myriads of faces — like beads on a bead- work pattern — all bead-work, in different layers. She bowed to various acquaintances — mostly Americans in uniform, whom she had known in Paris. . </div> </td> </tr> </table> </table> </center> </body> </html>